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The Monroes- Tractor Punk All-Stars

The Monroes began in the summer of 2000 when singer Gary Dean Davis and guitarist Lincoln Dickison began a seemingly unlikely songwriting partnership.
Dickison, a veteran of hardcore bands for over ten years, had just moved to Omaha. Davis, already a longtime
local standby with his previous bands D is for Dragster, Frontier Trust, and Pioneer Disaster, was looking for a
new project. Though they had known each other for years, it had never occurred to either of them that
they should play together-until they did. A kitchen table 4 track recording produced an embryonic version
of what would become the first song on the Monroes first record, and the kick off to every live show, the exhuberant
ode to terrace jumping, "Kiss Your Elbow Goodbye", as well as a honky-tonked version of The Minutemen's "Corona". As the comiserations continued, the resulting
yin-yang stew of old time bluster and edgy swamp guitar was appealing enough that the duo then recruited
drummer Jesse Render all the way from Missouri Valley, IA, and bass master and local legend Mike Tulis to cement the lineup.
Harder than Gary's earlier "tractor punk" efforts, the band has been compared to Rocket From the Crypt, The Jesus
Lizard, and The Minutemen. (Jon Taylor compares them to ZZ Top...we here at SPEED! know he means
it as a compliment, so we'll take it as one). Over the past five years, the band has put out five records
on SPEED!, and played a bunch of shows, sharing the stage with the likes of Southern Culture on the Skids
and Mike Watt. Speed!A200 (2005) took the band's sound in another new direction
with an angelic chorus and plenty of "purgatorio" pedal steel, and Speed! A300 (2006) finds the band keeping company
with Iowa City's masters of soul, The Diplomats of Solid Sound. 2007 brought the release of yet another 45- "Drillin'
Daylight" recorded at Hittsville Studio in lovely Havelock, NE.
| OUT NOW ON SPEED! NEBRASKA |

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| THE MONROES "DRILLIN' DAYLIGHT" 45 |
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Live Review courtesy of Lazy-i.com:
Though it's been almost a year since they played live, The Monroes have not lost
an ounce of their rural-fied energy. Classic heartland tractor-punk at it's finest. If you've never heard them before, their
rural punk sound is driven mercilessly by Lincoln Dickison's guitar, which sounds like a chainsaw cutting a Hot Rod Lincoln
in half. Keeping Dickison from going completely unhinged is the rhythm section of drummer Jesse Render and bassist Mike Tulis.
Render's drums are rat-a-tat-tatty, understated and subtle. I tried to imagine what Render and these guys would sound like
behind a big, throaty, hammering drum set and realized it would throw everything out of whack. Translated: leave it alone,
it's just right. Tulis' role is just as important as it is understated. Listen closely and you realize he's the guy driving
the tractor. Then there's frontman Gary Dean Davis, who looks exactly like he did more than a decade ago when he was fronting
Frontier Trust, the band that The Monroes most resemble. Gary's hog-calling, atonal yell -- barking out lines about Impalas
and the hook-and-ladder formation -- speaks for the everyman in every Nebraskan whose ever navigated the state's washboard-ladden
dirt roads. Highlight of their set was a new yet-to-be-recorded tune that shows Render at his rat-a-tat-tattiest.
| THE MONROES |

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| Debut 45 |
| THE MONROES |

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| "RAZORBACK" EP- 4 Songs! |
| THE MONROES |

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| "Inferno" 45 |
| THE MONROES |

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| SPLIT 45 W/THE DIPLOMATS OF SOLID SOUND |
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